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NIME
2004
Springer
97views Music» more  NIME 2004»
13 years 11 months ago
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis
The PebbleBox and the CrumbleBag are examples of a granular interaction paradigm, in which the manipulation of physical grains of arbitrary material becomes the basis for interact...
M. Sile O'Modhrain, Georg Essl
NIME
2004
Springer
171views Music» more  NIME 2004»
13 years 11 months ago
Acappella synthesis demonstrations using RWC music database
A series of demonstrations of synthesized acappella songs based on an auditory morphing using STRAIGHT [5] will be presented. Singing voice data for morphing were extracted from t...
Hideki Kawahara, Hideki Banno, Masanori Morise
NIME
2004
Springer
96views Music» more  NIME 2004»
13 years 11 months ago
A Shape-Based Approach to Computer Vision Musical Performance Systems
In this paper, I will describe a computer vision-based musical performance system that uses morphological assessments to provide control data. Using shape analysis allows the syst...
Jean-Marc Pelletier
NIME
2004
Springer
79views Music» more  NIME 2004»
13 years 11 months ago
Toward a generalized friction controller: from the bowed string to unusual musical instruments
We present case studies of unusual instruments that share the same excitation mechanism as that of the bowed string. The musical saw, Tibetan singing bow, glass harmonica, and bow...
Stefania Serafin, Diana Young
NIME
2004
Springer
93views Music» more  NIME 2004»
13 years 11 months ago
On the Choice of Mappings Based On Geometric Properties
The choice of mapping strategies to effectively map controller variables to sound synthesis algorithms is examined. Specifically, we look at continuous mappings that have a geom...
Doug Van Nort, Marcelo M. Wanderley, Philippe Depa...