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NIME
2004
Springer
97views Music» more  NIME 2004»
13 years 10 months ago
Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance
This paper describes the design of an expressive tangible interface for cinema editing as a live performance. A short survey of live video practices is provided. The Live Cinema i...
Michael Lew
NIME
2004
Springer
89views Music» more  NIME 2004»
13 years 10 months ago
Measurement of Latency in Interactive Multimedia Art
In this paper, I would like to introduce my experimental study of multimedia psychology. My initial focus of investigation is the interaction between perceptions of auditory and v...
Yoichi Nagashima
NIME
2004
Springer
167views Music» more  NIME 2004»
13 years 10 months ago
Using an Expressive Performance Template in a Music Conducting Interface
This paper describes an approach for playing expressive music, as it refers to a pianist's expressiveness, with a tapping-style interface. MIDI-formatted expressive performan...
Haruhiro Katayose, Keita Okudaira
NIME
2004
Springer
86views Music» more  NIME 2004»
13 years 10 months ago
Exploration of the correspondence between visual and acoustic parameter spaces
This paper describes an approach to match visual and acoustic parameters to produce an animated musical expression. Music may be generated to correspond to animation, as described...
David Gerhard, Daryl H. Hepting, Matthew McKague
NIME
2004
Springer
125views Music» more  NIME 2004»
13 years 10 months ago
Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing
The authors have developed several methods for spatially distributing spectral material in real-time using frequency-domain processing. Applying spectral spatialization techniques...
Ryan H. Torchia, Cort Lippe