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NIME
2005
Springer
118views Music» more  NIME 2005»
13 years 10 months ago
Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments
Tangible Acoustic Interfaces (TAI) rely on various acousticsensing technologies, such as sound source location and acoustic imaging, to detect the position of contact of users int...
Alain Crevoisier, Pietro Polotti
NIME
2005
Springer
132views Music» more  NIME 2005»
13 years 10 months ago
SCUBA: The Self-Contained Unified Bass Augmenter
The Self-Contained Unified Bass Augmenter (SCUBA) is a new augmentative OSC (Open Sound Control) [5] controller for the tuba. SCUBA adds new expressive possibilities to the existi...
Juan Pablo Cáceres, Gautham J. Mysore, Jeff...
NIME
2005
Springer
138views Music» more  NIME 2005»
13 years 10 months ago
ESP: A Driving Interface for Expression Synthesis
In the Expression Synthesis Project (ESP), we propose a driving interface for expression synthesis. ESP aims to provide a compelling metaphor for expressive performance so as to m...
Elaine Chew, Alexandre R. J. François, Jie ...
NIME
2005
Springer
119views Music» more  NIME 2005»
13 years 10 months ago
REMUPP - An Interactive Tool for Investigating Musical Properties and Relations
A typical experiment design within the field of music psychology is playing music to a test subject who listens and reacts – most often by verbal means. One limitation of this k...
Johnny Wingstedt, Mats Liljedahl, Stefan Lindberg,...
NIME
2005
Springer
134views Music» more  NIME 2005»
13 years 10 months ago
Haptic Music Exercises
Pluck, ring, rub, bang, strike, and squeeze are all simple gestures used in controlling music. A single motor/encoder plus a force-sensor has proved to be a useful platform for ex...
William Verplank