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NIME
2005
Springer
120views Music» more  NIME 2005»
13 years 10 months ago
McBlare: A Robotic Bagpipe Player
McBlare is a robotic bagpipe player developed by the Robotics Institute at Carnegie Mellon University. McBlare plays a standard set of bagpipes, using a custom air compressor to s...
Roger B. Dannenberg, Ben Brown, Garth Zeglin, Ron ...
NIME
2005
Springer
118views Music» more  NIME 2005»
13 years 10 months ago
Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments
Tangible Acoustic Interfaces (TAI) rely on various acousticsensing technologies, such as sound source location and acoustic imaging, to detect the position of contact of users int...
Alain Crevoisier, Pietro Polotti
NIME
2005
Springer
150views Music» more  NIME 2005»
13 years 10 months ago
Sonictroller
The Sonictroller was originally conceived as a means of introducing competition into an improvisatory musical performance. By reverse-engineering a popular video game console, we ...
David Hindman, Spencer Kiser
NIME
2005
Springer
215views Music» more  NIME 2005»
13 years 10 months ago
GoingPublik: Using Realtime Global Score Synthesis
This paper takes the reader through various elements of the GoingPublik sound artwork for distributive ensemble and introduces the Realtime Score Synthesis tool (RSS) used as a co...
Arthur Clay, Thomas M. Frey, Jürg Gutknecht
NIME
2005
Springer
138views Music» more  NIME 2005»
13 years 10 months ago
ESP: A Driving Interface for Expression Synthesis
In the Expression Synthesis Project (ESP), we propose a driving interface for expression synthesis. ESP aims to provide a compelling metaphor for expressive performance so as to m...
Elaine Chew, Alexandre R. J. François, Jie ...
NIME
2005
Springer
189views Music» more  NIME 2005»
13 years 10 months ago
Location33: A Mobile Musical
In this paper, we describe a course of research investigating the potential for new types of music made possible by location tracking and wireless technologies. Listeners walk aro...
William B. Carter, Leslie S. Liu
NIME
2005
Springer
132views Music» more  NIME 2005»
13 years 10 months ago
SCUBA: The Self-Contained Unified Bass Augmenter
The Self-Contained Unified Bass Augmenter (SCUBA) is a new augmentative OSC (Open Sound Control) [5] controller for the tuba. SCUBA adds new expressive possibilities to the existi...
Juan Pablo Cáceres, Gautham J. Mysore, Jeff...
NIME
2005
Springer
168views Music» more  NIME 2005»
13 years 10 months ago
Connecting strangers at a train station
In this paper we describe a virtual instrument or a performance space, placed at Høje Tåstrup train station in Denmark, which is meant to establish communicative connections bet...
Ole Gregersen, Lars Pellarin, Jakob Olsen, Niels B...
NIME
2005
Springer
136views Music» more  NIME 2005»
13 years 10 months ago
Not Hyper, Not Meta, Not Cyber but Infra-Instruments
As a response to a number of notable contemporary aesthetic tendencies, this paper introduces the notion of an infrainstrument as a kind of ‘new interface for musical expression...
John Bowers, Phil Archer
NIME
2005
Springer
140views Music» more  NIME 2005»
13 years 10 months ago
Soundstone: A 3-d wireless music controller
Soundstone is a small wireless music controller that tracks movement and gestures, and maps these signals to characteristics of various synthesized and sampled sounds. It is inten...
Adam Bowen