NIME
2005
Springer
13 years 10 months ago
2005
Springer
Pluck, ring, rub, bang, strike, and squeeze are all simple gestures used in controlling music. A single motor/encoder plus a force-sensor has proved to be a useful platform for ex...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
WISEAR (Wireless Sensor Array) is a Linux based Embeddedx86 TS- 5600 SBC (Single Board Computer) specifically configured for use with music, dance and video performance technologi...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
Musicians and composers have been using brainwaves as generative sources in music for at least 40 years and the possibility of a brain-computer interface for direct communication ...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
This paper describes an installation created by LEMUR (League of Electronic Musical Urban Robots) in January, 2005. The installation included over 30 robotic musical instruments a...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
NIME
2005
Springer
13 years 10 months ago
2005
Springer
This paper aims to present some perspectives on mapping embouchure gestures of flute players and their use as control variables. For this purpose, we have analyzed several types ...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
In this paper, we introduce and analyze four gesture-controlled musical instruments. We briefly discuss the test platform designed to allow for rapid experimentation of new interf...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
An experimental study comparing different user interfaces for a virtual drum is reported. Virtual here means that the drum is not a physical object. 16 subjects played the drum on...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
This paper describes the audio human computer interface experiments of ixi in the past and outlines the current platform for future research. ixi software [5] was founded by Thor ...
NIME
2005
Springer
13 years 10 months ago
2005
Springer
The breath pressure signal applied to wind music instruments is generally considered to be a slowly varying function of time. In a context of music control, this assumption implie...