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CHI
2009
ACM
15 years 10 months ago
Spectator understanding of error in performance
The development of computer-based devices for music control has created a need to study how spectators understand new performance technologies and practices. As a part of a larger...
A. Cavan Fyans, Michael Gurevich, Paul Stapleton
CHI
2002
ACM
15 years 10 months ago
MetaMuse: a novel control metaphor for granular synthesis
Traditional musical instruments have a direct connection between the way they are played or controlled and the properties of the sound produced. This connectedness has, in general...
Ashley Gadd, Sidney Fels
ICASSP
2008
IEEE
15 years 4 months ago
Evaluation of several strategies for single sensor speech/music separation
In this paper we address the application of single sensor source separation techniques to mixtures of speech and music. Three strategies for source modeling are presented, namely ...
Raphaël Blouet, Guy Rapaport, Cédric F...
ICMCS
2008
IEEE
154views Multimedia» more  ICMCS 2008»
15 years 4 months ago
Using wavpack for real-time audio coding in interactive applications
Highly interactive real-time music applications like network music performance (NMP) currently lack appropriate audio codecs that meet both demands for low delay and high audio qu...
Zefir Kurtisi, Lars C. Wolf
GECCO
2007
Springer
177views Optimization» more  GECCO 2007»
15 years 4 months ago
Inducing a generative expressive performance model using a sequential-covering genetic algorithm
In this paper, we describe an evolutionary approach to inducing a generative model of expressive music performance for Jazz saxophone. We begin with a collection of audio recordin...
Rafael Ramirez, Amaury Hazan