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ISMIR
2000
Springer
148views Music» more  ISMIR 2000»
15 years 1 months ago
IR for Contemporary Music: What the Musicologist Needs
Active listening is the core of musical activity Listening does not only concern receiving musical information. On the contrary, it is "active" and based on a set of int...
Alain Bonardi
ISMIR
2000
Springer
168views Music» more  ISMIR 2000»
15 years 1 months ago
Mel Frequency Cepstral Coefficients for Music Modeling
We examine in some detail Mel Frequency Cepstral Coefficients (MFCCs) - the dominant features used for speech recognition - and investigate their applicability to modeling music. ...
Beth Logan
ISMIR
2000
Springer
190views Music» more  ISMIR 2000»
15 years 1 months ago
Music IR: Past, Present, and Future
Music Information Retrieval has a longer history than most people realise, with systems developed in the 1960's. The field has its roots in information retrieval, musicology ...
Alexandra L. Uitdenbogerd
106
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DAGSTUHL
2006
14 years 11 months ago
Point-set algorithms for pattern discovery and pattern matching in music
An algorithm that discovers the themes, motives and other perceptually significant repeated patterns in a musical work can be used, for example, in a music information retrieval sy...
David Meredith
NIME
2005
Springer
129views Music» more  NIME 2005»
15 years 3 months ago
Network Latency Adaptive Tempo in the Public Sound Objects System
In recent years Computer Network-Music has increasingly captured the attention of the Computer Music Community. With the advent of Internet communication, geographical displacemen...
Alvaro Barbosa, Jorge Cardoso, Gunter Geiger