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CMMR
2007
Springer
181views Music» more  CMMR 2007»
15 years 11 months ago
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata
Electroacoustic music lacks a definitive vocabulary for describing its spatiality. Not only does it lack a vocabulary for describing the spatial attributes of individual sound sour...
Gary S. Kendall, Mauricio Ardila
ISMIR
2005
Springer
159views Music» more  ISMIR 2005»
15 years 10 months ago
Ringomatic: A Real-Time Interactive Drummer Using Constraint-Satisfaction and Drum Sound Descriptors
We describe a real-time musical agent that generates an audio drum-track by concatenating audio segments automatically extracted from pre-existing musical files. The drum-track c...
Jean-Julien Aucouturier, François Pachet
191
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NIME
2005
Springer
310views Music» more  NIME 2005»
15 years 10 months ago
The Overtone Violin
This paper describes the concept, design, realization and evaluation of a radically augmented musical instrument named the Overtone Violin. The rationale behind the development of...
Dan Overholt
NIME
2005
Springer
150views Music» more  NIME 2005»
15 years 10 months ago
Experiments with Virtual Reality Instruments
In this paper, we introduce and analyze four gesture-controlled musical instruments. We briefly discuss the test platform designed to allow for rapid experimentation of new interf...
Teemu Mäki-Patola, Aki Kanerva, Juha Laitinen...
ISMIR
2001
Springer
117views Music» more  ISMIR 2001»
15 years 9 months ago
Score Processing For MIR
The focus of this paper is on the design and use of a music score representation. The structure of the representation is discussed and illustrated with sample algorithms, includin...
Donncha Ó. Maidín