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NIME
2004
Springer
148views Music» more  NIME 2004»
15 years 8 months ago
EyeMusic: Making Music with the Eyes
Though musical performers routinely use eye movements to communicate with each other during musical performances, very few performers or composers have utilized eye tracking devic...
Anthony J. Hornof, Linda Sato
NIME
2004
Springer
354views Music» more  NIME 2004»
15 years 8 months ago
The Electronic Sitar Controller
This paper describes the design of an Electronic Sitar controller, a digitally modified version of Saraswati’s (the Hindu Goddess of Music) 19-stringed, pumpkin shelled, traditi...
Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Sco...
NIME
2004
Springer
97views Music» more  NIME 2004»
15 years 8 months ago
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis
The PebbleBox and the CrumbleBag are examples of a granular interaction paradigm, in which the manipulation of physical grains of arbitrary material becomes the basis for interact...
M. Sile O'Modhrain, Georg Essl
NIME
2004
Springer
106views Music» more  NIME 2004»
15 years 8 months ago
Aura II: Making Real-Time Systems Safe for Music
Real-time interactive software can be difficult to construct and debug. Aura is a software platform to facilitate highly interactive systems that combine audio signal processing, ...
Roger B. Dannenberg
NIME
2004
Springer
96views Music» more  NIME 2004»
15 years 8 months ago
A Shape-Based Approach to Computer Vision Musical Performance Systems
In this paper, I will describe a computer vision-based musical performance system that uses morphological assessments to provide control data. Using shape analysis allows the syst...
Jean-Marc Pelletier
Music
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