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128
Voted
NIME
2004
Springer
148views Music» more  NIME 2004»
15 years 7 months ago
EyeMusic: Making Music with the Eyes
Though musical performers routinely use eye movements to communicate with each other during musical performances, very few performers or composers have utilized eye tracking devic...
Anthony J. Hornof, Linda Sato
121
Voted
NIME
2004
Springer
354views Music» more  NIME 2004»
15 years 7 months ago
The Electronic Sitar Controller
This paper describes the design of an Electronic Sitar controller, a digitally modified version of Saraswati’s (the Hindu Goddess of Music) 19-stringed, pumpkin shelled, traditi...
Ajay Kapur, Ari J. Lazier, Philip Davidson, R. Sco...
NIME
2004
Springer
155views Music» more  NIME 2004»
15 years 7 months ago
A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable
This report presents a novel interface for musical performance which utilizes a record-player turntable augmented with a computation engine and a high-density optical sensing arra...
Nikita Pashenkov
110
Voted
NIME
2004
Springer
97views Music» more  NIME 2004»
15 years 7 months ago
PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis
The PebbleBox and the CrumbleBag are examples of a granular interaction paradigm, in which the manipulation of physical grains of arbitrary material becomes the basis for interact...
M. Sile O'Modhrain, Georg Essl
NIME
2004
Springer
106views Music» more  NIME 2004»
15 years 7 months ago
Aura II: Making Real-Time Systems Safe for Music
Real-time interactive software can be difficult to construct and debug. Aura is a software platform to facilitate highly interactive systems that combine audio signal processing, ...
Roger B. Dannenberg
Music
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